by Jim Goodman
Chùa Chim, a Khmer temple in Trà Vinh |
The indigenous population then
was nearly all Khmer. Some lived
in the slightly higher plains that now border contemporary Cambodia. But the bulk of them lived near the
mouth of the Mekong, on lands straddling the Hậu River branch, what now
consists of Trà Vinh and Sóc Trăng provinces. Even today 70% of Vietnam’s Khmer minority lives in these
two provinces. Vietnamese migrants
didn’t try to expel them or take over their lands. They simply moved next door, cleared swamps, constructed
canals and made new farms. Khmer
communities remained in place, governed by their own chieftains.
Angkor Era relic at Chùa Phướng |
7th-8th century Lokeswar from Trà Vinh |
That autonomy lasted until
Minh Mạng’s
administrative reforms in the 1830s.
Vietnamese became a majority in both provinces by the 20th
century. But Khmer culture and
traditions have persisted nevertheless. The Khmer still comprise about 30% of the population in both
provinces, mainly village people, with active temples and a strong ethnic
consciousness.
Ao Bà Om |
No records exist of when the
Khmer first settled here, but it was perhaps not long after the collapse of the
Funan state in the 6th century, if not earlier. A beautiful stone carving of the
Mahayana Buddhist deity Lokeswar, found in Trà Vinh province and dated 7th-8th
centuries, in the classic Khmer style, is equal to anything produced in the
Cambodian heartland at that time.
It is on display in the History Museum in Hồ Chí Minh
City, along with a pair of exquisite stone, life-sized devis (unfortunately missing their heads and lower arms) from the
11th century, also from Trà Vinh. Obviously, the Khmer cultural connection between Trà Vinh
and central Cambodia goes back a long way.
Khmer devotees at Chùa Hang |
Other evidence exists of Trà
Vinh’s ties with the ancient Angkor Empire. The artificial pond Ao Bà Om, a few km from Trà Vinh city,
dates its construction to over a thousand years ago and many of the temples
standing today replaced earlier ones that, during Angkor times, honored Hindu
or Mahayana Buddhist deities. Chùa
Phướng,
on the outskirts of town, kept the ruins of one of the ancient buildings in its
courtyard. The stone staircase
features railings with the original Buddhist heads in a style familiar to anyone
who has visited Angkor.
In religious matters, Khmer
culture in Trà Vinh shifted to Theravada Buddhism around the same time as in the
Cambodia heartland. The first
Theravada Buddhist temple in the province went up around 1450, about twenty
years after the first Theravada temple in Cambodia, at Phnom Penh. Khmer cultural development in Trà Vinh
and Sọc Trăng ran parallel to that in central Cambodia, but political and
administrative ties are less certain.
classical dance masks in the Khmer Cultural Museum |
Though Trà Vinh’s growth as an
urban center only commenced with the early 18th century immigration
of outsiders, the city today still exudes a strong Khmer atmosphere. A large percentage of the
schoolchildren are Khmer, as are many of the merchants in the covered market or
on the street beside the river, easy to recognize by their darker skin
complexion. The town has several
attractive Khmer temples and small groups of saffron-robed monks on a stroll
through the city are a common sight in Trà Vinh.
riverside market, Trà Vinh |
The Vietnamese form the
majority of the city’s roughly 75.000 residents and several Mahayana Buddhist
temples cater to them. Trà Vinh
also has a church for its Catholics and two temples for adherents of the Cao
Dài faith. The small but active
Ông Pagoda, founded by Chinese immigrants from Fujian in the town’s commercial
center in the 16th century, serves the local Chinese business
community, while a relatively new temple on the northern side of the city to
the Goddess of the Sea attracts those in the fishing trade.
Most of the town, including
its temples, hotels and commercial center, lies along the west bank of the Long
Bình River, a small, moderately busy tributary of the Mekong, into which it
flows several km north of Trà Vinh.
Most streets in the residential neighborhoods are lined with tall, shady
trees, unusual for a Mekong Delta town, which keep the temperatures bearable
even on hot, sunny days. Trà
Vinh doesn’t offer much in the line of entertainment: no discos or bars.
But there are a few places where one can enjoy cold beer and grilled seafood
like scallops, oysters, sea snails and the tasty Delta specialty called ‘finger
snail,’ a kind of elongated clam, baked with spices in its finger-length shell.
'finger snail' |
While it’s a pleasant,
uncongested place to stroll around, the main attractions in the town, and the
province as a whole, are its Khmer temples. Architecturally, they are noticeably different from the
Mahayana temples of the Vietnamese and Chinese, as well as the Catholic and Cao
Đài churches, resembling instead the Theravada temples in Cambodia, Laos and
Thailand, featuring tall, angled roofs that immediately mark their Khmer
identity.
No two are exactly alike, but
they do share a number of common characteristics, both in structure and in
decorative elements. Except for a
couple of smaller temples in the city center, Khmer temple compounds are
walled, with fancy entrance gates, enclosing a spacious area with several
buildings and groves of big shade trees.
The religious buildings rest on raised plinths, the main hall rectangular,
with sloping, tiered roofs, supported either by the buildings’ exterior walls
or a row of pillars. Angled
support struts, carved with images of mythical beings, half-woman, half-bird,
are lined along the lower roof edges on both sides of the building, connected
to either the walls or the pillars.
unusual relief carving |
The interior will feature a
large seated Buddha, often with distinctly Khmer features, as well as a number
of smaller, standing or seated Buddhas.
The walls inside will likely be covered with frescoes of Buddhist
mythology and scenes of everyday life.
Variations in this basic
design are legion. It could be a
single roof or double. The walls
on each of the longer sides of the building could be solid or scalloped with
open areas. The pillars could be
plain or covered with painted patterns.
The buildings could be white, yellow or something else. In the garden behind the main hall,
or to the side or even in front there may be life-sized sculptures depicting
famous scenes from the life of the Buddha, such as his first seven steps after
birth, the Temptation of Mara, the first Sermon, etc. There may be columns surmounted by a four-faced Bodhisattva,
derived from the famous image at the Bayon in Angkor Thom. There may be odd relief sculptures on
walls inside the compound, like deities riding pigs, or statues of Khmer
historical heroes.
Chùa Âng |
Certain temples in the
immediate area boast of unique features.
Chùa Phướng, on the southern edge of the town, has its preserved
Angkor-era relics. Chùa Chím, in a
wooded area on the western outskirts, features a miniature replica of Angkor
Wat and the Bayon in the garden behind the main hall. Chùa Âng, five km southwest of Trà Vinh and the most
venerable in the province, lies beside the ancient pond Ao Bằ Om and is
opposite a Khmer Cultural Museum.
According to local
legend, the creation of the pond originated with a dispute a thousand years ago
over who had to pay for wedding expenses—the groom’s side or the bride’s. So they decided on a contest to resolve
the issue. The women would build a
square pond, the men an oval one, and whoever was nearest completion by
daybreak would be exempt from wedding expenses. The women won by a trick. Before dawn they lit lanterns to
brighten the sky and fool the men into thinking the night was over. They laid down their tools but the
women continued. When daybreak
really did arrive it showed that they had won. The oval pond no longer
exists, but the women’s pond Ao Bà Om today is a popular retreat for city
folks. Tall trees surround the
pond, many of their roots rising above the ground in weird and grotesque
shapes. The Àng Temple next door
was originally a Hindu temple in the Angkor era and a Theravada temple replaced
it in the late 15th century.
It has since been restored a number of times, including fairly recently.
The museum across from Chùa
Âng has a nice display of items relevant to the religious and material life of
Khmer people. Among the exhibits
are all the traditional tools and devices used in agriculture, baskets of
sundry kinds, wooden containers, mortars and boxes, hunting and fishing gear,
musical instruments, temple decorations and dance masks. On one wall are the founding dates,
locations and photographs of all the major temples in the province.
decorative carving, Chùa Âng |
purification rite, Chùa Âng |
Most of these lie south and southeast
of the city, where nearly all the villages are Khmer, their locations marked by
entry gates on the main roads with very Angkor-like images. A turn down one of these roads takes
one past rice fields backed by sugar palms and eventually reaches the temple
compound, walled and forested, that lies at the edge of the residential area.
Village houses generally
sit on both sides of a canal or stream that bisects the settlement. Trees and bushes obscure the banks and
hide the water except at the several bridge crossings. While they may do some fishing from the
bridges, villagers don’t use boats to get around. The unpaved roads through the village are barely wide enough
for a car, but local vehicular traffic is all by bicycle or motorbike,
anyway. Small shops and refreshment
stalls stand at major junctions, like the ones that turn back towards the main
provincial roads.
Khmer houses of split palm leaf, Trà Vinh province |
Throughout the residential
area groves of sugar palms and other trees occupy every space not used for a
house or a garden. The houses,
generally one story and resting directly on the ground, are not clustered but stand
alone or in groups of two to four related families and are from twenty to fifty
meters apart from the nearest neighbors. Some of the wealthier villagers have houses of brick or
cement, but most houses are simple structures employing split palm leaf for the
walls and roofs.
Villagers’ lives revolve
around the labor demands of an agricultural economy and the obligations of
their religion. Neither is very
strenuous, for the work is only heavy at the time of planting or harvesting,
when they do it collectively. And
while pious villagers make voluntary contributions to their local monastery,
gifts that have sustained maintenance of the religious buildings, because
monasteries are required to grow their own food, they do not have to get out in
the morning to fill monks’ begging bowls.
miniature Angkor Wat and the Bayon at Chùa Chim |
The principal characteristics
defining Khmer culture and identity are language and religion, both of which
appear to have good future prospects.
Instruction in the Khmer language was formerly only available to boys
who enrolled temporarily in the monasteries. Nowadays Khmer is one of the three
minority languages in Vietnam (the
others are Giarai in the Central Highlands and Hmông in the north)
authorized for bi-lingual education at government-sponsored schools, abetting
the language’s preservation and development
As for Khmer Buddhism, the
continuing active role of the monasteries in socio-cultural life, respect
accorded to monks and the popularity of regular rituals and festivals indicates
its persistent, deeply ingrained strength. This religion has sustained the Trà Vinh Khmers throughout
the vicissitudes of the past several centuries. Neither it, nor the culture behind it, is likely to fade
away anytime soon.
Khmer monks in Trà Vinh city |
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Trà Vinh is one of the stops on our cultural-historical tour of Vietnam. For details see http://deltatoursvietnam.com
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